Archives – Tom  
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THE HOLLIES – "I'm Alive"
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Solid beat-groups-to-order record which I’d guess lands unerringly in the “had to be there” box. If this hit you at a certain age or in the right situation then maybe something would spark – but what pop song can’t you s[…]

ELVIS PRESLEY – "Crying In The Chapel"
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A curious fake-out – this is not a song about grief, so why stress the “crying”? And who sees Elvis crying there? The presence of a “you” changes the song from a sermon into a conversation, a private attempt at conversio[…]

SANDIE SHAW – "Long Live Love"
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Whether it’s the slight haughtiness in her voice or the sediment of my teenage Morrissey crush I’m not sure, but I’m casting around for reasons to like Sandie Shaw and this awkwardly jolly little song isn’t offering many. The […]

JACKIE TRENT – "Where Are You Now (My Love)?"
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The sixties canon-builders and nostalgia workers have strip-mined these charts, so when I come across a hit I’d never even heard of, I have to wonder why. As you’d expect the answer is often – “because it’s no good&#8221[…]

ROGER MILLER – "King Of The Road"
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The beat boom tide has begun to recede, having changed root and branch the way music gets made, bought and taken seriously (as commerce, as art) in the UK. Its main players are changing their sound, its successors are plotting their various coups. At[…]

THE BEATLES – "Ticket To Ride"
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Like almost any break-up, “Ticket To Ride” flickers between sadness and anger. The sadness is tentative, the anger mixed with denial, and you could read the perky coda as acceptance if you like. It sounds to me, though, like a tacked-on &[…]

CLIFF RICHARD – "The Minute You're Gone"
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Recorded in Nashville with Billy Sherrill as producer and the Jordanaires on backing vocals – this has the pedigree, alright, but can Cliff handle the song? The answer has to be no. He plays it smooth and burnished, but comes across as smarmy: […]

UNIT FOUR PLUS TWO – "Concrete And Clay"
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A love that will outlast not just the works of man, but mountains and time itself – how is a spindly pop song expected to contain it? The guitars realise as much and their attractively sudden runs and spikes feel like breaks for freedom. The rh[…]

THE ROLLING STONES – "The Last Time"
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I’ve been trying to figure out why this doesn’t quite work for me. There’s a stiffness to it – the band don’t seem comfortable with this jaunty a sound. The riff’s a good one, full of bounce, but maybe not good eno[…]

TOM JONES – "It's Not Unusual"
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Tom Jones is clearly well-meaning, approaches his music with unyielding gusto, and has surely done wonders for the gaiety of the nation. But frankly I can’t stand him. A comical background figure in the way that national treasures often are, I […]

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