Michael Jackson came to the title “King of Pop” in the style of a medieval ruler, carving out his realm piece by piece across a hard year of campaigning. He won some of his new subjects when he performed this song as part of a Motown anni[…]

People who look back on the eighties and despair or scoff are probably thinking of hits like “Too Shy”, the very definition of flossy, flimsy, flouncy faux-funk foolishness. It’s a record so evanescent that you half-suspect it was s[…]

A curious feature of Britain’s number ones is how they mirror the history of global travel: “Summer Holiday” in the 50s, Demis Roussos in the 70s, and now Men At Work’s paean to the Australian diaspora, spreading back along th[…]

The 80s, as a decade, split rather neatly. There’s the early eighties, when the arrival of video and the aftershock of punk and disco turn the charts into a colouring book. There’s the late eighties, when the combination of club music and[…]

Now we have the peachy new VOTING SYSTEM on every track you might think we don’t need these polls, but they’re a nice way of summing up each year as we end it, so they stay. Every track on Popular gets a mark out of 10 from me – her[…]

It goes almost without saying that this is outrageous bilge, with a stripe of cynicism as wide as Renato’s spangly lapels. Renato who, of course, was allowed to appear as himself in the video, where his Pooh-Bearish charms win the heart of a re[…]

Nothing became The Jam so much in their career as the manner of their leaving it. To quit when their cult – and Paul Weller’s icon status – was at its height? Unthinkable. With the benefit of hindsight, of course, it doesn’t seem quite that w[…]

Here’s another Spotify playlist for you: everything available that I’ve given 8 or more too. No Beatles, and some other annoying omissions (“Hot Love”! “Rhythm Stick”!) but at least Lord Rockingham and the Pigeon a[…]

Eddy Grant’s breakthrough with the Equals on “Baby Come Back” had come by upping reggae’s stomp quotient at the expense of its lilt. I don’t know a lot about his solo career but cuts like the slashing “Do You Feel […]

Another of pop’s remarkable acts of self-creation: in the video for “Do You Really Want To Hurt Me”, Boy George presents himself less as star, more as a kind of pop spirit, a dancing force of nature swaying through time and place, singular and […]