If “Relax” – as Mark Sinker put it during the subsequent discussion – was a non-DJs idea of a club record, “You Spin Me Round” is a DJ’s idea of a Frankie track. In fact, it sounds like Stock, Aitken and Wate[…]

Beware of what you wish for: Benny and Bjorn had spent much of ABBA’s imperial phase wanting to write a musical. They even put together a little taster, with their “Girl With The Golden Hair” trilogy at the back end of ABBA: The Alb[…]

Jim Diamond be advised: this is what a power ballad sounds like. Even lined up next to the moral weight of Band Aid it’s like someone’s gone and parked a Hummer in the British charts’ car park – something unbelievably enormou[…]

I give every record on Popular a mark out of 10 (and if you’re registered, so can you). Here’s where, by the magic of polling, we look at the year as a whole. Tick any and all records you’d personally give 6 or more out of 10 to, an[…]

“Do They Know It’s Christmas” is significant in one way, and insignificant in another. First, it raised a lot of awareness and money and established the pop single as an excellent mechanism for doing those things. This was significa[…]

On the 2nd October we’ll be having the Popular HALFWAY THERE party at the Horse Bar in Lambeth, during which we will be playing only No.1 hits.
We want to save the best for last, so the night will climax with The Best Number Ones (that we&#8217[…]

This was our first dance at my wedding, so certainly you can hear it, and use it, as sincere – but I’d be hard pressed to claim it’s meant to be taken that way. Or rather, sincerity is there in “The Power Of Love” if you[…]

This song marks a minor turning point in Popular: it’s the very last which I had absolutely no memory of ever hearing when I started the project. Plenty of later ones are forgettable – even more forgettable than poor Jim – but this […]

Asked to describe the I Feel For You album, Wikipedia offers “Genre: Funk, Hip Hop, Electronic dance music, soul, Rhythm and blues, Pop”. By a remarkable coincidence that is the exact genre of this single, too – a time-shifting styl[…]

Just as with “Careless Whisper”, “Freedom” finds George Michael working his way through a form: the upbeat, Tamla-style soul stomper. A fine thing to be doing, except this is almost twice as long as many Motown hits and it doesn’t use the e[…]