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JOHNNY KIDD AND THE PIRATES – "Shaking All Over"
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It began as a lad’s joke – one of the band saw a girl he fancied, “she gives me quivers in me membranes” he would tell the rest. It began as a riff and a baseline jabbed out in thirty minutes. It began as a B-Side. The marvel […]

CLIFF RICHARD – "Please Don't Tease"
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Of all Cliff’s No.1s, “Please Don’t Tease” is the one where he tries hardest to be a ‘British Elvis’. Even Elvis at this point wasn’t really doing Elvis, and Cliff’s weedy glottals certainly don’t[…]

JIMMY JONES – "Good Timin'"
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In the film The Hudsucker Proxy, the hero’s irritant and eventual nemesis is a guy called Buzz. Buzz is shrill, unshakably upbeat and entirely dumb; he is the living spirit of chirp. His traits include a glintful eye, a manic handshake and the […]

EDDIE COCHRAN – "Three Steps To Heaven"
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An admission – you won’t be surprised to learn that I don’t like rock and roll much. There are major exceptions (Jerry Lee!), and I’ve patiently sat and made myself appreciate a lot of it, but it doesn’t move me and neve[…]

THE EVERLY BROTHERS – "Cathy's Clown"
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Fuck all the kisses, they didn’t mean jack. But, of course, they did, or we wouldn’t be having this conversation. Humiliation is a rarity this high up the charts – when you find it, you find it tempered with sweetness; in this case […]

ANTHONY NEWLEY – "Do You Mind?"
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Sorry about that!
Newley’s second No.1 is a big step up from “Why?”, thanks mostly to a sympathetic Shadows-indebted backing which lets Newley sound flirtatious instead of just unctious. The lyrics don’t give him much wiggle-r[…]

LONNIE DONEGAN – "My Old Man's A Dustman"
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This reputedly shifted a million copies, not an easy thing to do even when the singles market in Britain is booming. If you do manage it it’s down to one of two things – either you’ve united the British pop-buying market in approval[…]

JOHNNY PRESTON – "Running Bear"
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These days dead rock stars leave back catalogues full of convenient foreshadowings and tragic – but marketable – hints. The Big Bopper’s posthumous contribution to the British pop charts, on the other hand, is a jovial rocker about […]

ADAM FAITH – "Poor Me"
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Faith’s second No.1 is a confident redux of his first. Style wins out entirely over content – “Poor Me” poses as a jilted man’s lament but is scored as a modernist celebration, all pops and jabs and rushes and sharp corn[…]

ANTHONY NEWLEY – "Why?"
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Hello Britpop. When I was a teenage Bowie fan all the biographies mentioned how David’s early vocal style was indebted to Anthony Newley’s, but I’d never heard of or heard Newley before and didn’t get round to tracking his stu[…]

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