BOXING?

A “heavyweight battle”, the NME cover-billed it. And if “Country House” vs Oasis’ “Roll With It” was a title bout, the music press were desperate to play Frank Warren.

Perhaps they had most at stake. It was, in a way, thei[…]

I’m a sucker for a self-conscious farewell. I bought final issues of comics I’d never prevoiously read. My best Doctor Who memories were the regenerations. As a student, my favourite Shakespeare was The Tempest. And look! Here’s Gary Barlow[…]

A dilemma, here. On the one hand, the second Outhere Brothers number one is somewhat better than “Wiggle Wiggle” – it shouts at you less, for one thing. On the other hand, the very words “second Outhere Brothers number one” suggest we have […]

On Soldier Soldier’s Wikipedia page there’s a list of the places each season of the military drama was set- where Robson Green and Jerome Flynn’s squaddie characters were sent. Hong Kong, Cyprus, New Zealand… after Iraq, and a dozen years[…]

A dance music confession: I never, quite, intuitively grasped what counted as House and what fell under Garage. The bumping, cut-up rhythms and vocals that begin the remixed “Dreamer” feel like garage, for example, but as Janice Robinson takes th[…]

“And you still think you’re going to rule the universe? You wouldn’t know what to do with the universe. You’d only shout at it.” – Doctor Who, The Pirate Planet

“They ruined British music and they ruined British music journalism.” […]

Hello Guardian referrals! The rumour you are looking for is in comments #14 and #30 – but stick around and explore our UK No.1s blog if you like…
To open your pop record with acoustic guitars can signal a certain seriousness of purpose. […]

The Great British Public has a long and warm relationship with smut – stuff that is somehow about sex without making anyone actually want to do it. A part of our national psyche is forever a 12-year-old boy. As times and manners change, the balance[…]

“Love Can Build A Bridge” has one of the best line-ups of any charity single – three women who have each made, on their day, magnificent pop records. What’s more, Cher and Hynde and Cherry aren’t off-form, phoning it in or smoothing themsel[…]

I should say from the outset, I’m unreasonably fond of this record. “Unreasonably” not because it’s a bad song or ‘guilty pleasure’, but because it’s not a record I want to reason with. I like it as a trip in[…]