(#1016, 3rd September 2005)
When I heard the news Oasis were reuniting, my first thought was, “thank God, an angle on the ‘Idle’ entry”. And in the heat of renewed Oasis mania it felt like this might even end up being their penultimate Num[…]
I still find McFly hard to appreciate, but in the comments for their previous No.1 I linked a piece by Ciara Moloney which made the strongest case I’d seen for them as songwriters and musicians. One of the questions this piece asked was why critics[…]
Earlier this week I asked a question on Bluesky: what is the earliest piece of media you find intentionally very funny? I wanted to leave the question open but used the “very” intensifier to make sure we weren’t just in the wry chuc[…]
I'm writing about every UK number one single, in order. It's taken a while, it'll take a while longer. Wander around in the archives, or join in with the marvellous bunch of commenters we've managed to attract - new voices always very welcome!
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Trance is the worst thing to happen to commercial dance music in my lifetime. Rubbish
Bad and unnecessary cover. But I gave this a 4 - there are much worse things to get annoyed by…
Takes that haven't aged well ;-)
18 January 2026
“Proof that one song is all it takes” as James Blunt’s Twitter biography put it. He knows what he’s known for, and in his post-superstar era he’s played his hand with great skill, cultivating a self-deprecating persona on social media as an[…]
23 October 2025
The pattern for recent hip-hop Number 1s on Popular – Nelly’s pair being the best example – has been the chart-topper as a kind of medal for services rendered, generally coming an album cycle after the artist’s more vital work. Mostly[…]
25 April 2025
In 2004 I took on the worst project of my professional life; worst in the sense that it was miserable and time-consuming and also in the sense that I did it very badly. A certain mobile phone company wanted to know what their rivals were doing online[…]
6 April 2016
Between its two writers and its performer, “Can’t Get You Out Of My Head” is the sound of over seven decades’ pop experience. It’s better heard as distillation than prediction. Maybe its bright, brisk pop-dance sensibility c[…]
29 December 2005
In Incredible Hulk comics there’s often a scene where the ’emerald man-beast’, cast out from human society, finds something of fragile beauty – a flower, maybe, or a baby deer – which he then accidentally crushes with hi[…]
26 May 2015
A theological detour. The rise of New Atheism – Dawkins et al. – seems to have made it somewhat infra dig for lifelong unbelievers like me to admit there are things we respect and admire about religions and the religious. But of course th[…]
10 July 2017
At The Disco A scene from Phonogram III: The Immaterial Girl, by Gillen, McKelvie and Wilson, published in 2015. It’s the early 00s, at a disco somewhere in the south of England. A group of people who love music so much it’s become their life and[…]
29 October 2014
“Everybody’s Free (To Wear Sunscreen)” is an artefact from the Pre-Cambrian of social media, a fossil ancestor of today’s viral hits. You could go further: by making the jump into offline culture, it’s a kind of missing link to them. Native[…]
23 March 2014
“Whenever we played that live there would be rows of grown men crying. It was almost like these guys couldn’t cry when they needed to cry, but that song operated like a pressure valve for them and it was okay for them to cry at a big rock con[…]
8 March 2016
So the cruddiest number one of 2001 lands at the top in a week when a lot of people were not caring about music. And certainly, spending £1.99 on “Hey Baby” is one of the more aggressive ways you could find to not care about music. The song is a[…]
24 January 2020
History in the making,” says Jay-Z in the intro, and he’s been proven right. As I’ve said before, there’s a temptation with Beyoncé to treat her big moments as inevitable steps in a process of becoming. Her control over her career and image […]
5 May 2011
Sixteen Listens For Sixteen Weeks: An Everything I Do Liveblog This song got to number one for 16 weeks, so I decided to play it 16 times in a row, writing as I went. Play 1: And we’re off. I’ve honestly hardly heard this in the last twen[…]
24 June 2014
“You can interpret the lyrics,” huffed a Nazi goon caught nicking this song for the BNP’s website, “any way you want.” The specific double meaning of “if I can shoot rabbits, then I can shoot fascists” eludes me, but it’s true enough […]
8 October 2019
Looked at one way, this had to happen. Reality TV pop shows weren’t going away. Lightning had struck for Hear’Say, then again for Liberty X, then so often for Pop Idol that you’d think Zeus had the ITV voting lines on speed dial. The maths of i[…]
29 September 2014
How was I supposed to know that something wasn’t right?
It was a gilded age: the commercial zenith of the music industry at the end of the 20th century. In America, its apex as a money-making force came in 1999 when – adjusted for inflati[…]