(#1016, 3rd September 2005)
When I heard the news Oasis were reuniting, my first thought was, “thank God, an angle on the ‘Idle’ entry”. And in the heat of renewed Oasis mania it felt like this might even end up being their penultimate Num[…]
I still find McFly hard to appreciate, but in the comments for their previous No.1 I linked a piece by Ciara Moloney which made the strongest case I’d seen for them as songwriters and musicians. One of the questions this piece asked was why critics[…]
Earlier this week I asked a question on Bluesky: what is the earliest piece of media you find intentionally very funny? I wanted to leave the question open but used the “very” intensifier to make sure we weren’t just in the wry chuc[…]
I'm writing about every UK number one single, in order. It's taken a while, it'll take a while longer. Wander around in the archives, or join in with the marvellous bunch of commenters we've managed to attract - new voices always very welcome!
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Trance is the worst thing to happen to commercial dance music in my lifetime. Rubbish
Bad and unnecessary cover. But I gave this a 4 - there are much worse things to get annoyed by…
Takes that haven't aged well ;-)
18 January 2026
“Proof that one song is all it takes” as James Blunt’s Twitter biography put it. He knows what he’s known for, and in his post-superstar era he’s played his hand with great skill, cultivating a self-deprecating persona on social media as an[…]
23 October 2025
The pattern for recent hip-hop Number 1s on Popular – Nelly’s pair being the best example – has been the chart-topper as a kind of medal for services rendered, generally coming an album cycle after the artist’s more vital work. Mostly[…]
25 April 2025
In 2004 I took on the worst project of my professional life; worst in the sense that it was miserable and time-consuming and also in the sense that I did it very badly. A certain mobile phone company wanted to know what their rivals were doing online[…]
13 August 2008
“Rat Trap” is billed – in the Guinness Book Of British Hit Singles, no less – as the first punk No.1. I couldn’t recall it – my memories of the Rats themselves were vague; Geldof I knew for later good works. So I a[…]
29 October 2014
“Everybody’s Free (To Wear Sunscreen)” is an artefact from the Pre-Cambrian of social media, a fossil ancestor of today’s viral hits. You could go further: by making the jump into offline culture, it’s a kind of missing link to them. Native[…]
10 July 2017
At The Disco A scene from Phonogram III: The Immaterial Girl, by Gillen, McKelvie and Wilson, published in 2015. It’s the early 00s, at a disco somewhere in the south of England. A group of people who love music so much it’s become their life and[…]
13 April 2014
You’re in the car with the radio on and no expectations, and suddenly you hear it: a song that stops everything around it, breaking through the playlist and announcing itself as a hit. More than a hit, a classic, a song you’ll be hearing for the […]
16 January 2005
The sound of the atom splitting. Break open the basic unit of pop music, the hook, and we discover a mess of gimmickry, noises and ideas so primeval you can often barely describe them, let alone hum one. Find one strong enough and you can top the cha[…]
5 May 2011
Sixteen Listens For Sixteen Weeks: An Everything I Do Liveblog This song got to number one for 16 weeks, so I decided to play it 16 times in a row, writing as I went. Play 1: And we’re off. I’ve honestly hardly heard this in the last twen[…]
8 August 2008
On one level the ‘plot’ of “Dreadlock Holiday” is hugely important to any judgement of it. On another, not at all, but let’s recap anyway. The narrator is a tourist in Jamaica – he gets mugged for his silver chain […]
30 March 2015
Never has the “early, funny stuff” cliche held such weight in pop: we’re at a stage now where the new stars coming through are still heavyweights now, and the sclerotic Marshall Mathers of the mid-10s haunts this swaggering, sparkling kid. But […]
12 February 2017
The biggest band in Britain grinds on, and as usual when an Oasis single toils its way by, their own past is the best stick to beat them with. In 1994, Oasis’ approach – putting great chunks of rock’s past in a smelter and using noi[…]
5 July 2013
BOXING?
A “heavyweight battle”, the NME cover-billed it. And if “Country House” vs Oasis’ “Roll With It” was a title bout, the music press were desperate to play Frank Warren.
Perhaps they had most at stake. It was, in a way, thei[…]
20 January 2023
The first thing you notice about “Toxic” is the strings – urgent, stabbing, a shock of treble. The string bursts compress a riff into a couple of seconds, turning its curling snatch of melody into a red alert, a warning sign on a system out[…]
8 March 2016
So the cruddiest number one of 2001 lands at the top in a week when a lot of people were not caring about music. And certainly, spending £1.99 on “Hey Baby” is one of the more aggressive ways you could find to not care about music. The song is a[…]