Marvel Comics of the mid-60s had several innovative competitive advantages over their competition. A small company, they ran a tight and unified creative ship, which allowed for competition and crossover between titles and gave everything they did a […]

The lullaby pace hides a strange mix of emotions: encroaching doom, self-conscious nobility, hustling chivalry and honeyed reassurance. It’s a manipulative song – the guy’s off to war and he wants to get the girl before he goes &#82[…]

You can still hear records that sound like this in the charts occasionally, because the big late-90s Britrock boom was built on this template and some of that generation of bands have lingered. It seems to be a model that guys like Richard Ashcroft, […]

DIGRESSION:

For Christmas I got Never Had It So Good, the first part of Dominic Sandbrook’s huge new history of Britain in the sixties. Here’s what he says about the project:

“This book seeks to rescue ‘from the enormous[…]

In Incredible Hulk comics there’s often a scene where the ’emerald man-beast’, cast out from human society, finds something of fragile beauty – a flower, maybe, or a baby deer – which he then accidentally crushes with hi[…]

Farlowe starts “Out Of Time” as conversation but it quickly turns into romp, a cathartic splurge of breakup bile and joyful venom. With most kiss-off songs you can dredge the remains for some spark of former finer feeling, but this perfor[…]

Hepper, but less charming rerun of “Summer Holiday” with the intrusive horn arrangement acting as your hustling tour guide and stamping out any moments of excitement. By the coda Georgie Fame sounds awfully bored. Gotta go. Get away. Go. […]

I have a vivid image of Summer in the 60s, heat-hazed beauty, dollybirds in floral print minidresses, everything rich and green and the whole English countryside suffused with light. Since I wasn’t born until 1973, this can’t be from memo[…]

An awful lot of comedy records have got to number one. Not many funny records have. This is one of them, as with every line the dreadfulness of this slush pile nightmare is more obvious. “It’s a thousand pages, give or take a few / I&#821[…]

“Strangers in the Night” has a theme – the chance wonder of meeting the right person – that I usually rather like. And you can see the outlines of a sweet song in Sinatra’s statesmanlike, somewhat bombastic reading. His […]