Only the flimsiest of efforts made here to disguise the fact that “you” is shorthand for “Jesus”. “There’s a new world somewhere, they call the promised land” – and if that doesn’t tip you off, th[…]

Pure mood – a boy, an absence, a wait. There’s barely a context, only the most abstract of frames, all that really lingers is the melancholy chorus, and this gives the single a mystique that the better-known songs around it maybe lack. Be[…]

Size always matters: there are few surer-fire ways of creating a pop impact than by recording something which sounds bigger than whatever else is around. It might not win credibility (step forward, Meat Loaf) but it generally wins fans. But the momen[…]

Most of “Go Now”‘s lead vocal sounds half-improvised, soulful elaborations on a few simple lines, go go darlin darlin darlin. Could be purest self-expression, could be a band in some kind of shock at having to turn a perfect intro i[…]

The sound of the pirates – Georgie Fame’s promoter was so frustrated by the lack of establishment airplay for his acts that he set up Radio Caroline, helping start the domino topple which led to the state-sanctioned Radio 1 on the one han[…]

The sliver of feedback that opens “I Feel Fine” has become one of pop’s great use-other-facts-please. It’s historically interesting, it’s a strong gimmick, but it has very little to do with the rest of the record, which […]

I’m a bit slow tonight. I just typed something about Mick Jagger’s cock, and then looked at the name of the song, and – ohhhhh, right. Now I get it.
Sung, as opposed to written, it is a more discreet metaphor at least. And Jagger&#8[…]

At the start of this record – though maybe it was mixed in years later – there’s a lovely bit of stereo panning where a troupe of polite feet tap across your head from right to left and then quickly back. What images does it summon?[…]

Something in Sandie Shaw’s voice reminds me of Helen Shapiro, but whether it’s the vastly improved material, or the changed times, or those few crucial extra years on her, Sandie sounds impressive where Helen sounded precocious. There&#82[…]

The song where doughy, doleful Roy Orbison finally gets the girl – of course we’re on his side from the start, and Orbison plays on his persona and our sympathies with a wonderful piece of three-minute theatre. From the opening, stutterin[…]