Gabrielle starts as she was to go on: a voice apparently soaked in personality singing songs with a total absence of it. Gabrielle’s throaty, worldly tone marks her out as this year’s version of that recurring chimera, the Great British Soul Hope[…]

Pop reggae wasn’t invented in Gothenburg, more’s the pity. Back in 1983, UB40 had made a record celebrating the Jamaican music they grew up loving, and discovered that a lot of other people had loved it too, and even more loved the idea of loving[…]

Of all the hundreds of microgenres that make pop the funnest kind of butterfly collecting, perhaps the greatest is Swedish Reggae. The first person I heard talk about Swedish Reggae was Stephin Merritt of the Magnetic Fields at the end of the 90s, bu[…]

Short version: Popular will be back on Friday and back to a regular schedule.
Long version: (more…)[…]

Britain has a Pop Establishment as surely as it has a political one, and the charity tribute gig is its equivalent of a State Funeral. The line-up for the Freddie Mercury celebration at Wembley Arena is a curious thing, reflecting not just how much o[…]

Another song where hearing the original changes your perspective on it: as a Bananarama album track, “Young At Heart” is fizzy but unusually thoughtful, a vignette of a kid growing to understand her parents’ choices and compromises.[…]

Shaggy’s take on “Oh Carolina” acknowledges its debt to the past right away – sampling the intro from the Folkes Brothers’ 1960 original. Not just a nod of respect, it’s a canny move, as the crackling, wheezing sha[…]

Delicious pop memory: Tony Parsons casting this song as an outrider of apocalypse on some late night culture or news show. He read out the lyrics slowly, in a tone of profound regret – how far had we fallen when this.. this thing could stand in[…]

I give a mark out of 10 to every track – this poll is for you to tick all the songs you’d have given 6 or more to, and you can discuss the year in general in the comments box.

Which of these Number Ones Of 1992 would you giv[…]

If there’s a single technique which – however unfairly – defines 90s and 00s soul music for the British public, it’s melisma, and if there’s a single record that cemented that link, it’s “I Will Always Love You”, at number one for[…]