The saturnine Harris and fresh-faced Meehan were ex-Shadows, and even though they didn’t write “Diamonds” its curious structure makes it sound like the work of people keen to cram as much as they can into a short time in the spotlight. The record switches between extended drum solos (Meehan), lonesome country atmospherica driven by moody bass runs (Harris), and an incongruous chunk of horn-led jive. Frankly it’s a bit of a mess, but a very entertaining one, with a character and bite their former band were beginning to run out of.
Score: 6
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