Presley’s first No.1 was all about the voice and the rhythm just did the job it had to. “Jailhouse Rock”, his second, is nothing without its beat. The lyrics are funny, of course, and Elvis as skilful as before (his specific trick h[…]

Scrape the crust of legend off this record and you might be surprised, like I was, at how goofy it is. What did I know about this song? I knew that Jerry Lee was a hellraiser and married his cousin. And I knew the chorus, mostly from a 70s Edam adver[…]

Elder statesman of Caribbean music he may be but Belafonte is still best known in Britain for this and the “Banana Boat Song”. I’ll give a pass to most music at Christmas but this arrangement is too slow and syrupy to really enjoy, […]

The jangling intro and solos on “That’ll Be The Day” still sound gorgeous – assured and effortlessly pretty – but the rest of it hasn’t aged well. Liking Buddy Holly surely depends on liking that nervy gulping thin[…]

This one was a big favourite of my Dad’s, so my memory of it is half affectionate and half curdled: I remember trips north to see relatives with him singing lustily along and surly me in the back seat wanting to put my Smiths tapes on.
So it&#8[…]

Look! It’s Elvis!
The boogie-woogie piano forming this song’s undercarriage sounds so generic to me* that I get the best results from listening to it like a riddim, a bolt-on beat for Presley to freestyle over. Helpfully, that way of hear[…]

A double A-Side. “Style” is less obviously radical than “Cumberland Gap”; “Gamblin Man” if anything more so. Recorded in front of a whooping audience, “Gamblin’ Man” is sheer frenzy, a primitive h[…]

Snappy nudge-wink tune bizarrely and gratifyingly enlivened by the backing vocalists, who repeat – ahem – “Yip Yip we ‘pon the boom-ditty boom-ditty!” at every opportunity (and they have several). It would undermine a mo[…]

To someone like me who’s never much listened to Elvis, it’s once again remarkable how obvious and immediate his vocal influence was. Those short “-uh” breath-stops at the end of each line are all over “Butterfly”, […]

Guy’s fourth No.1 gives me a chance to apologise – I threw my hands up in horror at his first, “She Wears Red Feathers”, and gave it a two. I was wrong: “Red Feathers”, and Mitchell’s work in general, won me […]