The Spice Girls’ determination to get 4 out of 4 singles to Number One – breaking a long-standing record – means this package heaves with reasons to buy. Not just a double A-side, not just a Comic Relief charity record, the single came out the […]

As with “Breakfast At Tiffany’s”, “Don’t Speak” is a rarity: an American modern rock hit that managed to duck under Britpop’s Crimplene Curtain and chart here. In the US, it dominated airplay charts for months – no surprise No Dou[…]

A year before this, U2 just missed the top with one of their best singles: “Hold Me, Thrill Me, Kiss Me, Kill Me”, a glam tidbit recorded for a Batman soundtrack that revels in its nocturnal, glitzy movie-theme moves. It might have sounded throwa[…]

A chart where singles sales are front-loaded to the first week is a chart that rewards fanbases, which is nothing to be worried about. Except the conveyor belt system keeps working even when there’s no fanbase hits to fill it. We’re now at a poin[…]

The question “what happens after Britpop?” wasn’t just an urgent one for the music press and the new bands courting it. It was also fairly pressing for the Britpop bands themselves, Blur in particular. Whoever’s idea it had been, the marketin[…]

In 1997, talking about music on the Internet means USENET, a Gormenghast of diverging and reconnecting fora whose goblin tribes gleefully rampage through each other’s chosen lairs: a thread will start on alt.music.prodigy, then careen into alt.[…]

Remixing rock or alternative tracks could be one of the 90s’ more thankless tasks. Keep the structure intact, stripping out and replacing the song’s undercarriage, and fans might sniff about crass chop-shop philistinism. Really go to work on it, […]

I give every record on Popular a mark out of 10. This poll is a chance for you to say which Number Ones in a year you’d have given 6 or more out of 10 to.
In terms of my marks, it was the best of times, it was the worst of times. Four 9s &#8211[…]

The last Number One about sex and its uses was “Fastlove”, and at first that record and this one seem very different creatures. “2 Become 1”, with its gentle singing and its Vaseline production, is about closeness, or at least an ideal of it […]

In the 12 years since Band Aid, the charts have hosted a lot of charity singles – more than enough to give you a cynical familiarity with the shape of them. A terrible thing happens; the public is horrified; a number of pop stars make themselves av[…]