Delightful as “Doctor Jones” is, probably the most interesting thing about this record is that I’m covering it at all. “Barbie Girl” – smart as it was – was also obviously a novelty record: for Aqua to return not once but twice shows th[…]

Another piece of the present slots into place: if you leave out charity records, this is the first artist we’ve met to also have a Number One in the 2010s. Usher fits a model for pop stardom we’ll see more frequently as we get closer to now: a te[…]

When “All Around The World” came out, it wasn’t yet quite clear that Oasis had peaked. Yes, the album was a folly, but they were still colossal, with no sign they wouldn’t come back stronger next time. This record felt belligerent: the pointl[…]

You’re in the car with the radio on and no expectations, and suddenly you hear it: a song that stops everything around it, breaking through the playlist and announcing itself as a hit. More than a hit, a classic, a song you’ll be hearing for the […]

I give every entry a mark out of 10. Here’s your opportunity to tick the ones you’d have given 6 or more to.
My highest score of 1997 turns out to have been a solitary 8, for Hanson’s “MMMBop”. U2 and Elton both got 2s. […]

Their three Christmas number ones are as much to do with canny release date bagatelle as with enduring public love, but the Spice Girls still gave the impression of taking special care over their year-end singles. Or maybe they just had a knack for b[…]

My main point last entry was that “Perfect Day” saw the BBC applying its gift for pop spectacle to the demands of a more curatorial time. This would become – on broadcast TV particularly – an era of tighter demographics and multiplying ni[…]

Charity covers as multi-artist jigsaw puzzles were a whiskery idea by this point, so it’s remarkable how startling and beguiling “Perfect Day” sounds. It’s a successful reinvention of the Band Aid concept that also more or less finishes it of[…]

Branding, unsurprisingly, started with cows. When it moved from livestock to consumer goods, it expanded from a mark of ownership to a mark of consistency, but also of quality. As Andy Warhol put it in 1965, “All the Cokes are the same and all the […]

The story writes itself: weeks of enforced grieving cast a grey spell across Britain that is broken – could only be broken – by the forces of Girl Power, in full returning cry. Pop is restored, joy is unconfined. And honestly the arrival of “Sp[…]