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BAND AID 20 – “Do They Know It’s Christmas?”
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“The 2000s remakes all got a bit too clever”, sniffed SAW’s Mike Stock years later. A touch of bitterness there perhaps – the people involved with this were as likely to rep for Pictures Of Starving Children Sell Records as Band Aid II &#[…]

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GIRLS ALOUD – “I’ll Stand By You”
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Girls Aloud were two bands uneasily sharing one career. They were the TV competition winners who kept one foot in the light entertainment paddock, reliably putting out a cover version whenever a telethon required it. And they were the pop band &#8211[…]

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U2 – “Vertigo”
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For me Bono’s most likeable – if sometimes excruciating – trait is how candid he is about his ambitions and excitement over each record his band makes. The Wikipedia pages for U2 records are always breadcrumb trails of aspirations, as o[…]

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EMINEM – “Just Lose It”
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The root of puerile is puer, the Latin for boy, and the word still has that resonance: childish but in the snickering, smutty, swaggering way of the tweenage boy, that pre-adolescent phase when bodies are a source of mystery and fascination at the sa[…]

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JA RULE ft R KELLY & ASHANTI – “Wonderful”
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This is a short entry, because I don’t want to give a mediocre R.Kelly penned (and featuring!) record much more attention than it deserves, which is basically none. Ja Rule’s shrewdness in picking collaborators has since become more widely unders[…]

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ROBBIE WILLIAMS – “Radio”
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Guy Chambers’ ex-Westlife rescue mission spelt opportunity for his more famous writing partner. Robbie Williams had already been a star when he found Chambers, and what the songwriter brought him was structure, giving a young man the chance to turn[…]

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ERIC PRYDZ – “Call On Me”
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“To lose one Number 1 to a no-name producer, M’sieu Bangalter, may be regarded as a misfortune; to lose two seems like carelessness.” “Call On Me” shares an origin with Spacedust’s workout-based “Gym & Tonic” – a canny music[…]

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BRIAN MCFADDEN – “Real To Me”
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In the Industrial Revolution of 00s pop, Westlife were the darkest and most satanic of mills, an inexorable manufactory turning out ballads by the yard. When I started Popular the signs their reign was ending weren’t as obvious as they seem in hind[…]

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NELLY – “My Place” / “Flap Your Wings”
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“Caught Out There”. “I’m A Slave 4 U”. “Like I Love You”. “Milkshake”. “Rock Your Body”. All productions by the Neptunes, all Top 5 hits here, all early-00s pop landmarks, still accorded due reverence. None of them, however, are[…]

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NATASHA BEDINGFIELD – “These Words”
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Maybe it was the pressure of reality TV pop, which plastinated the process of hitmaking and made it part of the show, but there’s a deliberate self-awareness creeping into pop around this point: a cluster of hit songs about stardom, the biz, the ra[…]

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