Sonique’s success has a distinct feelgood factor, one of pop’s lottery-winner stories. A singer and DJ who had been on the circuit for over a decade, her closest tilt at fame before this song was lead vocal on a couple of the later S’Express si[…]

It had been thirteen months since Billie Piper’s last single. It might as well have been a hundred and thirteen: “Day And Night” was part of a standard pop career cycle, but the world of pop had upended itself, and the hesitant returns of the c[…]

For all my hyperbole, and for all that 2000 was the zenith of the Cheiron sound, it didn’t have the charts to itself. The glut of number ones in 2000 is matched by an extravagance of pop styles – Max and his imitators, futurist R&B, UK ga[…]

How do you follow “…Baby One More Time”? Perhaps you can’t. Britney Spears’ second album splits the job, starting with two songs that plainly exist in “Baby”’s shadow. One is an overt sequel, “Stronger” – eager, catchy dance[…]

“Certain guys can’t face the fact of what we’ve done
Sold over a quarter of a million
Casualty went straight to number one
And still they wanna cuss come on
Oh yeah about the Casualty theme?
Well no one controls the scene
So you do what you wan[…]

I don’t know that turning a meat and potatoes trance tune into a dance-pop banger passes theological muster, but as pop miracles go it’s a welcome intervention. Unless, that is, you’re Coco Star, the singer whose vocals grace “Toca’s Miracl[…]

As UK Garage hit its end of the century peak, three things became clear. It could ring up the hits, like no underground dance scene since hardcore rave. It was exceptionally flexible – the strains in the charts became more melodic and soulful, […]

The fifth and final number one from Westlife’s debut, “Fool Again” is an unhappy ending on every level. For once, the lads don’t realise their mistake in time to turn things round and win back their beloved. In fact – gasp – she�[…]

Left-Eye first: again, a major figure in 90s American pop shows up here as a cameo on a solo Spice single. This time, at least, you’re left with some idea of what she can do. Left-Eye’s elegant doodle of a verse is dropped into “Never Be The Sa[…]

Go back to 1998, ask people to predict what a Geri Halliwell solo record would be like, and I’d say they’d have landed somewhere close to “Bag It Up”. It’s brash, plasticky disco, noisy and cheeky: if the role-switching promo clip didn’t […]