In the mid 90s, if you were looking for alternatives to Britpop’s domination of the media you’d find fertile pickings – so fertile, in fact, that it turned into a whole line of attack. Take Britpop’s nostalgic, ironised relationship with the […]

Virtually everything I said about Aqua’s success and Europop also applies to Celine Dion, except at gargantuan scale. Longing is as universal as dancing, after all, and on “My Heart Will Go On” Dion produces the most straight-line expression of[…]

As you’ve probably noticed, the Popular archives are fairly extensive. I often think it would be nice to do something with them, so (among other slow-brewing schemes) I came up with this.
Mouldy Old Dough
It’s a Tumblr, though you don&#82[…]

Delightful as “Doctor Jones” is, probably the most interesting thing about this record is that I’m covering it at all. “Barbie Girl” – smart as it was – was also obviously a novelty record: for Aqua to return not once but twice shows th[…]

Another piece of the present slots into place: if you leave out charity records, this is the first artist we’ve met to also have a Number One in the 2010s. Usher fits a model for pop stardom we’ll see more frequently as we get closer to now: a te[…]

When “All Around The World” came out, it wasn’t yet quite clear that Oasis had peaked. Yes, the album was a folly, but they were still colossal, with no sign they wouldn’t come back stronger next time. This record felt belligerent: the pointl[…]

You’re in the car with the radio on and no expectations, and suddenly you hear it: a song that stops everything around it, breaking through the playlist and announcing itself as a hit. More than a hit, a classic, a song you’ll be hearing for the […]

I give every entry a mark out of 10. Here’s your opportunity to tick the ones you’d have given 6 or more to.
My highest score of 1997 turns out to have been a solitary 8, for Hanson’s “MMMBop”. U2 and Elton both got 2s. […]

Their three Christmas number ones are as much to do with canny release date bagatelle as with enduring public love, but the Spice Girls still gave the impression of taking special care over their year-end singles. Or maybe they just had a knack for b[…]

My main point last entry was that “Perfect Day” saw the BBC applying its gift for pop spectacle to the demands of a more curatorial time. This would become – on broadcast TV particularly – an era of tighter demographics and multiplying ni[…]