Another supersized AOR number one, but “Heaven” is more unashamedly bubblegum than Starship or T’Pau, and a great deal more effective for that. Its fat-free, chorus-led songwriting cuts out most of the portentiousness or instrumenta[…]

Every track on Popular gets a mark out of 10 – this is your opportunity to tick any and all tracks in a calendar year you’d have given 6 or higher to (and to comment on the year in general in the comments box).

Which Of Thes[…]

In the comics series Phonogram, there’s a scene in which the – kind of horrible – pop DJ Seth Bingo and his indie collaborator Silent Girl are struggling to work a recalcitrant dancefloor into life. Their solution? “Play the B[…]

When I was small we had one of those boxy Minis with a wood-framed chassis. It was a fine car I’m sure – my Aunt took it from us in the late 70s and gave it a good run before it finally died. But there was always something ungainly about […]

A scrap or two of memorable chorus, great thunking drums to cover up how negligible the verses are, mostly exhausted vocals, plenty of repeats to try and bang it all home. A weak song, and an ugly sounding, hollowed-out record – the big thin so[…]

“Kept the hooks flying so fast that it sounded like a pop radio hit”
This entry is constructed around ‘samples’ of other people’s blog posts or writings mentioning “Pump Up The Volume”. Even saying that feels[…]

It’s rare for a song’s meaning to change so utterly so long after its release – usually it takes an artist’s death to shift the public’s relationship to a record. But Rick Astley is still thankfully alive, and has reacted to his song’s gl[…]

In a piece I wrote last year for Zero Books’ The Resistible Demise Of Michael Jackson, I argued that the sense of self-conscious scale and event in 80s music came partly as an after-effect of Thriller’s colossal sales, which suggested an […]

I’m beginning to realise quite how bad I was at hearing music when I was 14. My reaction to “La Bamba” back in 1987 was to sulk, roll my eyes and dismiss it as mere necrophilia. Obviously this was missing the point that not all cove[…]

With The Immaculate Collection, Madonna was able to remix and edit her history as well as her songs, jumping triumphantly from the True Blue singles to the Like A Prayer ones, from superstar consolidation to next-level persona building. She took the […]